Portrait of the de' Bianchi family (1816) by Carlotta Gargalli (All photos: Museum of Rome)
For centuries, women’s contributions to the art world were downplayed, overshadowed by their male counterparts or even stolen and miscredited. Roma Pittrice: Female Artists at Work Between the 16th and 19th Centuries at the Museum of Rome in Italy seeks to change that narrative, giving long-overdue recognition to the female painters, sculptors and architects who helped shape art history. In 1607, the Academy of San Luca in Rome passed a resolution allowing women to join its ranks, creating opportunities for formal training and commercial work. This led to a rise in the number of female artists, many of whom remain underrecognised today. By bringing together rediscovered masterpieces long confined to storage, the exhibition highlights the talent and resilience of those who lived during the period.
Each section is divided under a time period with themes such as religion and still-life. Guests can journey through a chronological timeline featuring 56 artists, beginning with Lavinia Fontana, among the earliest to gain professional status. Her paintings, including a newly uncovered self-portrait on copper, set the stage for deeper exploration of female creativity.
Also on show are pieces by Artemisia Gentileschi, a pioneer in Baroque painting known for her striking depictions of women in mythological and biblical scenes. One of her most famous creations, Judith and the Maidservant with the Head of Holofernes, is a powerful example of her dramatic use of colour and composition. The 19th century room introduces figures such as Erminia De Sanctis and Virginia Barlocci, thought to be lost to history but whose works were found through archival research and at antique markets. Running until March 25, this showcase ensures their art remain visible and are no longer forgotten.
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This article first appeared on Mar 3, 2025 in The Edge Malaysia.
